GRAPE ESCAPE

Last weekend, I trekked to Long Island for my first long-awaited experience of the wine country just outside New York City.  The lushness of the grounds and juiciness of the ripe grapes inspired this outfit, along with the highly saturated work of Marylyn Dintenfass.

"Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art." --Meredith Mendelsohn

Dintenfass (b. 1943) is known for her oil paintings and prints featuring sensual, gestural abstractions in "ripe, radiant, saturated hues".  Originally from Brooklyn, Dintenfass made the trek to Long Island just like I did, and I can't help but wonder whether the colors and forms of the wine country inspired her work.

Jacket: Diane von Furstenberg

Dress: Suno

Sunglasses: Suno

Boots: Frye

Dintenfass images from rauschenberggallery.com, artinfo.com, driscollbabcock.com, artslant.com, mutantspace.com.  Photos of me by Meri Feir.

HANAMI: Japanese Cherry Blossom

"In the cherry blossom's shade there's no such thing as a stranger." --Kobayashi Issa

Cherry Blossom Viewing by Chikanobu (1838 - 1912)

Boat Ride under the Cherry Blossoms, 1893 by Nobukazu (1874 - 1944)

In Japanese culture, cherry blossoms signify light, airy clouds, and I can't think of a better way to describe the feeling of finally seeing buds on the trees after a long New York winter.

  For an afternoon frolic through the Brooklyn Botanic Garden, I was inspired by Japanese woodblock prints depicting hanami, the ancient practice of repose underneath the blooming cherry blossoms, or sakura.

Sakura are a popular subject for traditional woodblock prints, which originated in Japan in the Eighth Century.  The prints are most closely associated with the ukiyo-e artistic period, but the methods and techniques are still used today.  Click here to see my Hokusai wave dress.

I'm wearing a handmade jacket my grandfather purchased for my grandmother in Japan in the 1960s.  It is one of my most treasured possessions, and her name embroidered on the inside makes it even more special. (See the last time I wore it on the blog, 3 years ago!)

Jacket: 1960s vintage

Silk tank: Diane von Furstenberg

Silk pants: Tallulah

Headscarf: Fendi

Sandals: Botkier

Fan: gift from a friend

Photos by Hannah Kauffman; Woodblock prints from fujiarts.com.

MUCHA, REVISITED

Now that it is becoming a bit more like spring in New York, I'm revisiting one of my favorite posts from last spring.  Inspired by Pantone's Champagne Beige, I evoked the image of Alphonse Mucha's muses at the Brooklyn Botanic Garden.  View the full post here.

I HAVE A DREAM

Romare Bearden, Martin Luther King - Mountain Top, 1968

Almost always, the creative dedicated minority has made the world better.

--Dr. Martin Luther King, Jr.

I have a dream: that our culture will continue to embrace art as a means of expression, promoting equality, education, and opportunity.

[Image via IFPDA.]

HAPPY THANKSGIVING

Andrea Kowch, The Feast

From Artfully Awear to you, Happy Thanksgiving!

I'm thankful for art as inspiration and a means of expression.

Image via Artsy.net.  Prints available through Richard J Demato Fine Arts Gallery.

ART HISTORICAL HALLOWEEN

For Halloween this year, my friend (and faithful art lover) Kathy and I decided to go all out art historical.  She was Picasso's Woman in a Hat with Pompoms and a Printed Blouse from 1962 and I was Warhol's Turquoise Marilyn from 1964.

I even ran into an Andy at a party that night, and couldn't help being reminded of the quote by the man himself: 

"My idea of a good picture is one that's in focus and of a famous person."

I'd love to hear what you're going to be for Halloween!

Dress and Wig: Amazon.com (search "Marilyn dress" and "Marilyn wig"--easy!)

Body paint and makeup: Ricky's NYC

Picasso and Warhol images from about.com

ARTFULLY AWEAR + PANTONE: Champagne Beige.

For my latest Artfully Awear + Pantone post, I'm featuring the shimmery color Champagne Beige.

My inspiration for this look has been on my mind for years, as I've always loved the sinewy Art Nouveau elegance of Alphonse Mucha's ladies.

Mucha (1860-1939) was a Czech painter and decorative artist who created the Art Nouveau style, originally known as Mucha Style.

He began his career as a theatrical designer in Moravia, and eventually relocated to Paris, where he met the acclaimed actress Sarah Bernhardt, one of my style icons.

In 1895, Mucha began a six-year contract with Bernhardt, creating lithographs for her performances.  This solidified his position as an important commercial artist.

Throughout his career, Mucha struggled to separate himself from the Art Nouveau style he essentially created, and found art's importance through its spiritual connotations alone.

The women depicted in Mucha's Art Nouveau paintings and prints hearken back to an even earlier age, referenced in their Neoclassical garments.

Mucha's view on Art History is summed up by the following quote, and beautifully represented by his work: "Nothing has changed in these past two thousand years.  Only the names are slightly different."

Dress: Nicole Miller Artelier

Headpiece: Vintage necklace

Shoes: B Brian Atwood (buy here in nude and black)

All photos by Kathy Paciello at the Brooklyn Botanic Garden.

[Mucha images from gelaskins.com, wikipaintings.org, graduate-extraordinaire.blogspot.com, bohemia-apartments.com, and commons.wikimedia.org.]

GREAT WAVE

I'm always delighted to find a garment that depicts an actual artwork, because it embodies the relationship between art and clothing. The print on this vintage dress takes as its subject one of the most well-known Japanese prints, The Great Wave Off Kanagawa.

The work is part of the collection of prints entitled Thirty Six Views of Mount Fuji (Fugaku Sanjuroku-kei), by Katsushika Hokusai.

Hokusai was a Japanese painter and printmaker of the Edo Period.

From Tokyo (then known as Edo), he used works like Thirty-Six Views reflect the importance of domestic travel within an isolated country as well as his own personal infatuation with the majestic Mount Fuji.

Hokusai was known by over 30 different names during his lifetime, many of which he changed to relate to a new departure in his work or artistic period in his life.

Before Hokusai, ukiyo-e (Japanese woodblock) prints focused on portraiture and depictions of courtesans and actors, but Hokusai established nature and landscape as viable subjects.

Due to Japan's policy of isolation, Hokusai did not achieve overseas fame until after his death, but eventually influenced Art Nouveau and Impressionism.

I'm wearing a vintage 1970s dress from Bygones, L.A.M.B. shoes, a vintage leather clutch, and necklace from my Aunt.

[Hokusai images from blog.shopkoshka.com and wikipaintings.org.]

CAMPBELL'S SOUP

I'm afraid that if you look at a thing long enough, it loses all of its meaning.

This quote from Andy Warhol applies to many aspects of life, but is specifically relevant when it comes to art.

Andy Warhol's Campbell's Soup cans had, unfortunately, fallen into the "familiarity breeds contempt" category for me, until I received an email from a friend last week with the photo above attached. Suddently, I was newly inspired by the familiar work and created four outfits to correspond with the color scheme of the cans' counterparts.

Synonymous with the Pop Art movement, Warhol's Campbell's Soup cans symbolized mundane commercialism, compounded by both the subject and the method of these works. Not only was Campbell's Soup marketed and distributed to mass consumers, but the method by which these works were created--silkscreen--was connected with mass production as well. These works are infinitely important art historically because they signify the move away from the idea of the artist as creative, expressive genius and simultaneously encapsulate the increasing commercialization of society in the 1950s and 1960s.

To view more photos and details of the rest of the outfits, visit my facebook page!

[Warhol image from gypsyart.yolasite.com.]