NOW WEARING: Clive Van Den Berg.

CLive Van Den Berg, The Land Throws Up A Ghost II, 2013

I'm finally embracing the season, inspired by the work of Clive Van Den Berg.  An "artist, curator, designer, writer, teacher, and activist", Van Den Berg produces work across media that deal with various themes from desire, to the human body, to landscape, and more.  Imbued with a sense of his identity as a South African, Van Den Berg's works are colorful representations of memory.

Jacket: Desigual

Jeans: Gap

Boots: L.L.Bean

Bag: Marc by Marc Jacobs

Photo by Hannah Kauffman, Van Den Berg image and info via Artsy.net.

NOW WEARING: Barry McGee.

Barry McGee (b. 1966) is a San Francisco-based artist who originally came on the scene as a street artist in the early 1990s.

Known by many different aliases, including Ray Fong, Lydia Fong, Bernon Vernon, Twist, and others, McGee's work was included in the 2001 Venice Biennale, which paved the way for his blue chip status in the art world today.

McGee's boldly graphic work deals with the overwhelming nature of advertising, and the plight of individuals existing the urban landscape.  His current exhibition at Cheim & Read features notorious geometric patchwork pieces in addition to pottery and a ballooned wall piece, which combines his surface design with sculpture.

Barry McGee is on view at Cheim & Read in Chelsea through October 26th.

Geo Shift by Pim + Larkin via Piperlime

Silk Blouse: H&M

Bag: Marc by Marc Jacobs

Boots: Franco Sarto

Photos by Kathy Paciello.

NOW WEARING: Leaves, Flowers.

Florence Derive, Leaves, Flowers in the River, 2011, acrylic on canvas.

I'm slowly moving past my "denial of fall" phase, and embracing the season.  Though my color palette doesn't change very much with the arrival of autumn, I'm currently feeling inspired by flora that is just on the verge of changing color.

Jumpsuit: Vintage

Platforms: Buffalo Exchange (I last wore them here.)

Bag: Marc by Marc Jacobs

Bracelet: J. Crew

Photo by Kathy Paciello; Image via Artsy.

NOW WEARING: On the Fringe.

Inspired by the acrylic paintings of Tomie Ohtake, I put together this look for a masquerade at the New York City Ballet.  Born in 1913, Ohtake's work has spanned many artistic movements, but she is most known for her informal abstractionism, such as this Untitled work, from 2012.

Dress: Save the Queen

Clutch: Thrifted

Mask: via amazon

Photo by Meri Feir; Ohtake image via Artsy.net

ARTFULLY AWEAR + PANTONE: Green Glow.

I decided to save the best for last in the final post in my Artfully Awear + Pantone series: my favorite dress and my favorite color.  Pantone's Green Glow is showcased by this Oscar de la Renta gown and captured by these tromp l'oeil paintings by Tauba Auerbach.

Born in 1981 in San Francisco, Auerbach now lives and works in New York City.  I first came across her work in Vitamin P2, one of my favorite painting books, and became better acquainted with her story via The Gentlewoman.

The canvases shown here are just one part of her artistic oeuvre, and I've found them extremely powerful in their use of the canvas as well as paint, to create a two-dimensional/three-dimensional dialogue.

The unique rumpled, wrinkled effect is achieved by folding or crumpling the canvas before stretching.  Finally, Auerbach adds paint using a spray gun.

According to Auerbach's profile on the website of the Whitney Museum of American Art, "By creating an object in which two supposedly discrete states—flatness and three dimensionality—are merged, Auerbach confronts the limitations between these states, revealing an ambiguity that is often overlooked."

I love the way the unique fabric of this dress holds beautifully imperfect wrinkles, and the color and texture reminded me of Auerbach's gorgeous canvases.

Auerbach will be signing a limited edition issue of The Thing Quarterly at the New York Art Book Fair this Saturday!  Details here.

Dress: Oscar de la Renta

Embroidered clutch: Vintage, belonged to my Grandmother

Shoes: Brian Atwood (also worn here for one of my most popular posts to date)

The Artfully Awear + Pantone series has been a dream for me.  One last thank you to Pantone for the opportunity!

Photos by Kathy Paciello.  Auerbach images from taubaauerbach.com, pictify.com, and wiels.org.

WEARING: Evie Falci at MoMA PS1.

My outfit for the last Warm Up of the season at MoMA PS1 was inspired by Evie Falci's mesmerizing canvases.

The Brooklyn-based artist covers stretched denim with colorful rhinestones, studs, and beads, resulting in these bedazzled works, which she has said are influenced by optical dot paintings of Yayoi Kusama. See my Kusama-inspired outfit post here.

Falci has described her process as spider-like, slowly and meticulously working to create a web of color and texture.  These works the bedazzled interiors and portraits of Mickalene Thomas.

The works exist on multiple levels as craft, sculpture, and painting, and are nonrepresentational, the patterns flowing freely as Falci works, without underpainting or sketches.

Dress: Mara Hoffman

Sandals: Juicy Couture

Cuff: Gift Shop at the Met

Bag: Marc by Marc Jacobs (similar here)

Photos by Kathy Paciello; Falci images from artsy.net.

ARTFULLY AWEAR + PANTONE: Blue Aster.

I'm picking back up with a brand new post in my series inspired by Pantone colors.  This time, it's the cool 18-4252 TCX Blue Aster, which is beautifully apparent in the accompanying paintings by Swiss artist Karina Wisniewska.

Born in 1966, Wisniewska was trained and performed as a chamber musician and concert pianist before discovering her love for the visual arts, including painting. 

For her, the act of painting in essence records a musical composition onto the canvas.  This ideal brings to mind the visual compositions of Wassily Kandinsky, who said:

Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.

Wisniewska's approach to painting is similar to Kandinsky's in that she equates strokes on the canvas with musical representation.  However there is very little formal similarity between the two artists' works.  

Wisniewska applies pigment to canvas using a brush or spatula and often mixes the paint with quartz sand in order to build up a surface.

When I forget what something is called and how I normally know it, that's when I begin to see. By keeping the wrist flexible and varying the pressure and speed, it is [possible] to draw a line without hesitation that will flow like a piece of music. --Karina Wisniewska

Dress: Aqua via Bloomingdale's

Necklace: H&M

Shoes: C'N'C Costume National (available here for 70% off!)

Photos by Meri Feir, images from 1stdibs.com, artnet.com, artsy.net, and karinawisniewska.com.