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Showing posts with label LARGE SCALE. Show all posts
Showing posts with label LARGE SCALE. Show all posts

Friday, January 29, 2016

ONE IN A MILJAN












The beauty of nature is not perfection, but harmony. 
--Miljan Suknovic

Earlier this week, on a chilly afternoon, I trudged downtown to meet Miljan Suknovic in his studio.  Miljan is a Serbian artist who lives and works in NYC.  We became acquainted through Artfully Awear, and he invited me to his studio because he said, "I have a feeling that you might like it."

Those words ended up being an understatement, because as soon as I entered his studio, I gasped with delight.  Actually, I gasped well before walking through the door because his exuberant, large scale paintings were lined up to greet me as soon as I exited the elevator.  Not only were the works all-encompassing, but the temperature in his studio was so warm and the fast-paced music so intoxicating that I actually felt as though I were on an island somewhere very far away from post-snowpocalypse NYC.

Upon meeting him, I was not surprised to find that Miljan is energetic and lively, just like his paintings.  He spent the next hour giving me an overview of his career and showing me works from various periods; from living and working in Serbia, Italy, Florence, Germany, and the Czech Republic, to his seven year residence in NYC.

Miljan's pervading style is that of dramatic, lyrical abstraction, but there is also an element of mathematics to his process.  He does not believe that painting should be seen as separate from the architecture in which it is placed, and this has lead him to create some very interesting juxtapositions with his work.  Though his recent works (pictured here) were some of my favorites, Miljan has experimented with almost every style and medium you can imagine.  

If he could sum up his work as a whole, it is about discovery through experimentation.

Interestingly enough, this is something I've been thinking about recently in my own life and work - about how it is important to take time to try things and not worry about whether or not they are successful.  That the importance of creating is what you learn along the way, not necessarily the finished product.

However, in Miljan's case, the finished products are quite brilliant.


Thank you, Miljan, for the stunning introduction to your work and for hosting me at your downtown resort!

Photos by Miljan Suknovic and myself.

Tuesday, May 14, 2013

ARTFULLY AWEAR + PANTONE: Emerald.


After a brief hiatus, I'm back with my latest Artfully Awear + Pantone post, featuring the Color of the Year: Emerald.
Emerald has always been one of my personal favorite colors, and is surprisingly flattering with almost any skin tone. The hue is also well represented in the work of Helen Frankenthaler.


Her oversized canvases, though seemingly abstract, were often inspired by landscapes, such as her most famous work, Mountains and Sea, which measures 7 feet by 10 feet.


One of the few female artists recognized alongside the group of second generation Abstract Expressionists, Frankenthaler (1928-2011) was a Color Field painter.


The thin veils of paint that make up her paintings are reminiscent of watercolors, even though they are actually oils. Her "soak stain" method of thinning oil paint and applying to unprimed canvas was adopted by other artists including Morris Louis and Kenneth Noland.

Two of my favorite posts of all time are inspired by Morris Louis and Kenneth Noland.


Color Field painting was different from Abstract Expressionism in its denial of emotional or mythical themes.


"You have to know how to use the accident, how to recognise it, how to control it, and ways to eliminate it so that the whole surface looks felt and born all at once". --Helen Frankenthaler


Dress: Nicole Miller Artelier (full length version here for $100!)
Shoes: Calvin Klein


[Photos by @kay_elle_pea; images from stylesight.com, newcriterion.com, justalittlegreen.tumblr.com, and accidental-brilliance.com.]