GEORGIA O'KEEFFE

When I came across this dress, the layered, petal-like hem and rosy hue called to mind the flower paintings of Georgia O'Keeffe.

O'Keeffe (1887-1986) is widely regarded as one of the most important American artists of the 20th century, notable not only for her paintings of stark landscapes and larger-than-life blooms, but also as a woman who rose to renown in a male-dominated field.

Throughout her life, she lived and worked all over the country, depicting her natural surroundings from Illinois to New York, South Carolina, Virginia, Hawaii, Texas, and, finally, New Mexico.

Married to famed photographer and gallerist Alfred Stieglitz, O'Keeffe was also closely associated with other American modernists such as Charles Demuth, Arthur Dove, and Marsden Hartley.  See my Dove post here and Hartley post here.

O'Keeffe's most well-known works are her close-up views of nature, such as the flower paintings depicted here.

There have been many varied readings of O'Keeffe's flower paintings, particularly related to the feminist art movement of the 1970s, and the flowers' innate sensuality.  O'Keeffe maintained that her work simply existed to confront the viewer with the enchantment of nature.

"I decided that if I could paint that flower in a huge scale, you could not ignore its beauty." --Georgia O'Keeffe

I'm wearing a dress courtesy of sway chic, necklace from H&M, and Boutique 9 shoes.

Photos by @kay_elle_pea on the High Line.

MARSDEN HARTLEY

This scarf reminded me of the work of Marsden Hartley, an artist I always encountered when reading about American art of the 20th century, but whose work I never really investigated.  

Hartley (1877-1943) was an American Modernist painter, poet, and writer, born in Maine.

Hartley's work was shown alongside many other well-known American artists, such as Georgia O'Keeffe and Charles Sheeler, at Alfred Stieglitz's legendary 291 Gallery in New York.

Though Hartley traveled extensively throughout the United States, and was eventually categorized as an authentically American artist, he also lived in Europe and was greatly influenced by German Expressionism, and inspired by German military pageantry, as seen in the works shown here.

While in Europe, Hartley became acquainted with Gertrude Stein, Wassily Kandinsky (discussed here), and Franz Marc (recently discussed here), each of whom had a distinct influence on his work.

In the later years of his career, Hartley moved back to the U.S., and became a part of the Regionalism movement, depicting scenes of local life in both his paintings and his writing.

Hartley considered his art a spiritual journey, and found great meaning in symbolism.

"My work embodies little visions of the great intangible..."

--Marsden Hartley

Wool coat: vintage, thrifted
Scarf: thrifted
Riding pants: Tahari
Leather boots: Franco Sarto (also worn here and here)
Socks: Gold Toe (also worn here)
Leather purse: vintage (also worn here)
  Striped tunic: H&M
Leather gloves: Urban Outfitters

[Hartley images from arthistory.about.com, oilpainting-frame.com, venetianred.net, and triviumproject.com, respectively.]

ARTHUR DOVE

Damp, early fall afternoons on the shore call to mind the abstract work of American artist Arthur Dove.

Dove (1880-1946) is frequently considered to be the first American abstract painter, who began his artistic career as an illustrator for Harper's Magazine and The Saturday Evening Post.

Dove believed that his artwork's main component should be spiritual, and was inspired by landscape and life as a farmer and fisherman. Dove referred to his artistic style as extraction; that is, he aimed to isolate the essential aspects from a scene.

Upon returning from a period of living abroad in Europe, Dove became acquainted with photographer and art gallerist extraordinaire, Alfred Stieglitz, who is credited with commercializing Dove's art career.

Dove received his first one-man show at Stieglitz's legendary 291 gallery in 1912, which was the first exhibit of abstract art by an American artist.

Duncan Phillips, founder of the Phillips Collection, became acquainted with Dove's work through his exhibitions at 291 and later, Intimate Gallery and An American Place. Dove's work helped Phillips to realize the process behind abstraction, and he became Dove's most prominent collector. The majority of Dove's oeuvre is now housed by the Phillips Collection in Washington, D.C.

"We cannot express the light in nature because we have not the sun. We can only express the light we have in ourselves." --Arthur Dove

I'm wearing an Elizabeth & James caftan and French Connection necklace.

[Dove images from brooklynmuseum.org, picasaweb.google.com, metmuseum.org, angellier.biblio.univ-lille3.fr, and metmuseum.org, respectively.]